Elsewhere the Owl has offered a squib called “Performing Art” arguing that altarpieces and other objects in church actively participate in worship by depicting the saints and narratives as indeed present with worshipers. Here follow some specific instances.
Basaiti, Agony in the Garden
Gallerie dell’Accademia, Venice
Basaiti’s Agony in the Garden is a perfect example of an altarpiece that functions as a membrane between the two realms of liturgical space. It has been removed from its proper context, but the marble arch within the painting no doubt replicates the architecture of its surroundings. Jesus kneels at the rock with the disciples are strewn sleeping around him. Patron saints stand on a pavement outside the arch that makes a boundary between them and the narrative scene. The dividing line both separates and joins; we and these patrons together look through it to the praying Christ.Continue reading “Arts in Service to Faith”